Taglondon

London’s “nightmare scenario“

Before Britain voted last summer to leave the European Union, Crossrail was conceived for a London open to the world and speeding into the future. Now, with Brexit, the nightmare scenario is that this massive project, to provide more trains moving more people more quickly through a growing city, ends up moving fewer people more quickly through a shrinking city.

– The New York Times. A lightly-trafficked London train system strikes me as the least likely ”nightmare scenario” ever (also, from a visitor’s point of view, one of the least nightmarish).

the Lego offices in London 

London Bridge 


Imagined reconstruction of old London Bridge; pencil drawing by Paul Stroud

There’s an argument on the Wikipedia page for the story of Dick Whittington and his cat about whether young Whittington could have heard the ringing of the Bow bells from Holloway. Sometimes I love Wikipedia. Also, that delightful story is a rare example of a genuine folktale arising almost in modern times – possibly as late as the early 17th century – and based on a well-known historical figure. 

Gog and Magog, Guildhall, London

faith

We’re in a society that thinks entirely about faith, because of our sense of encroachment by Islam, and our defiance against that because we have our own way of being, which of course is based in Christianity. But no one is Christian. So we’re trying to defend an ideal which we can’t really define ourselves, which we almost entirely don’t believe in. And we’re coming up against something which is quite overwhelming and encroaching and dictatorial – some aspects of Islam – and yet at another level, there’s something so beautiful and glorious about it. And so I feel as if this conflict is entirely about faith, and yet the one thing no one wants to talk about is faith.

Nicola Barker

theatrical memories

Recently, Teri and I have been watching both Victoria and The Crown — an interesting pair of experiences which I may say something about in a future post — and one of the pleasures of both series has been Alex Jennings, who in The Crown plays the oleaginous and embittered  Duke of Windsor (i.e., the abdicated Edward VIII), and in Victoria plays the oleaginous and manipulative King Leopold of Belgium.

All of which reminds me that I first saw Jennings in 1990, at the Phoenix Theatre in London, playing Hjalmar Ekdal in Ibsen’s The Wild Duck alongside David Threlfall’s Gregers Werle. It was a magnificent production, and one of the reasons I remember it is that Teri and I had an extremely intense argument about it on our walk back to our hotel in Bloomsbury. All I can remember about the debate is that she thought the production was weighted towards the perspective of one character and I thought it was weighted towards the perspective of the other — which suggests that it was actually an ideal theatrical endeavor, capable of producing very different reactions in equally intelligent and attentive viewers. Even now I remember with great vividness the set, and a handful of crucial scenes.

I had already seen Threlfall on TV, in his amazing performance as Leslie Titmuss in John Mortimer’s Paradise Postponed — I can still see him in my mind’s eye, a working-class boy listening with passionate intensity to the radio and trying to mimic the BBC announcers’ intonations (in the days before the BBC thought it should represent the varieties of British speech patterns) — but Jennings was new to me, and was simply electric as Hjalmar. It’s so good to see him still at work.

The London Necropolis

betonbabe:

SEVEN PHASES IN THE EVOLUTION OF THE OLD LONDON BRIDGE, 1209-1831

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