A culture, particularly one such as ours, is a continuity of feelings, perceptions, ideas, engagements, attitudes and so forth, pulling in different directions, often critical of one another and contingently related to one another so as to compose not a doctrine, but what I shall call a conversational encounter. Ours, for example, accommodates not only the lyre of Apollo but also the pipes of Pan, the call of the wild; not only the poet but also the physicist; not only the majestic metropolis of Augustinian theology but also the “greenwood“ of Franciscan Christianity. A culture comprises unfinished intellectual and emotional journeyings, expeditions now abandoned but known to us in the tattered maps left behind by the explorers; it is composed of light-hearted adventures, of relationships invented and explored in exploit or in drama, of myths and stories and poems expressing fragments of human self-understanding, of gods worshipped, of responses to the mutability of the world and of encounters with death. And it reaches us, as it reached generations before ours, neither as long-ago terminated specimens of human adventure, nor as an accumulation of human achievements we are called upon to accept, but as a manifold of invitations to look, to listen and to reflect.

— Michael Oakeshott, “A Place of Learning.” The idea that “a culture comprises unfinished intellectual and emotional journeyings, expeditions now abandoned but known to us in the tattered maps left behind by the explorers” is one of the most beautiful and illuminating depictions of historical understanding that I know.