The bigger thing for me, beyond the death of art and criticism I mean, is just how easy it is to inspire identitarians, just what they’re willing to consider a major political success. They are the cheapest dates imaginable.
Then he quotes the headline of an article: “Disney’s black Ariel isn’t just about diverse representation. It’s also about undoing past wrongs” — and asks:
Is it? Is it really? The article is profoundly unconvincing on this score. Yes, Disney did some racist portrayals in the past. That’s bad. I don’t see how you’re evening up the score by putting more Black people in your films, really; history doesn’t work that way.
This is the key: “history doesn’t work that way.” History doesn’t work that way. History doesn’t work that way! Can we just grasp this point?
