My old friend Noah Millman, who writes and directs:

I love actors, and I want to see them continue to get jobs. More so, I love actors as actors, and I dread the prospect of a future where their deeply human activity is replaced by a machine that feels nothing, when feeling is so essential to what it is an actor does. I had a marvelous time working with all my actors on my recent film, very much including the background actors (of which I had quite a few). Those background actors were a non-trivial part of my budget, and I believe they were worth every penny because they brought themselves to their tiny roles, and those selves mattered, and mattered in ways I couldn’t have anticipated without their presence in person, on set. In their absence, we’re left with just the director’s solitary self fiddling with knobs on a machine, doing precisely what he thinks he wants, and never learning that something else was possible. The essentially collaborative and hence surprising aspect of filmmaking will, I suspect, progressively be drained away in the brave new world aborning, and we’re going to feel that loss in ways that we can’t yet fully comprehend.