At the same time, the slide show’s vision of the individual’s relationship to the state seems designed to vindicate every conservative critique of the Obama-era Democratic Party. The liberalism of “the Life of Julia” doesn’t envision government spending the way an older liberalism did — as a backstop for otherwise self-sufficient working families, providing insurance against job loss, decrepitude and catastrophic illness. It offers a more sweeping vision of government’s place in society, in which the individual depends on the state at every stage of life, and no decision — personal, educational, entrepreneurial, sexual — can be contemplated without the promise that it will be somehow subsidized by Washington.
The condescension inherent in this vision is apparent in every step of Julia’s pilgrimage toward a community-gardening retirement. But in an increasingly atomized society, where communities and families are weaker than ever before, such a vision may have more appeal — to both genders — than many of the conservatives mocking the slide show might like to believe.