At what point is the triumph of comic-book culture sufficient? I don’t ask this rhetorically. Grievance, even imagined or exaggerated grievance, deserves to be redressed. But to be redressed there has to be some definition of what success could mean materially. My frustration and my confusion stem from a genuine inability to divine what, exactly, could constitute success, what could convince these fans to drop their long-cultivated ethos of victimization. I’ve asked that question many times and in many contexts, and have never received a satisfactory answer.
Commercial dominance, at this point, is a given. What critical arbiters would you like? Is it a Best Picture Oscar for one of their movies? Can’t be. Return of the King won it in 2003. (And ten other Academy Awards. And four Golden Globes. And every other major award imaginable.) Recognition from the “literary establishment?” Again, I don’t know what that term could refer to; there are publishers and there are academics and there are book reviewers, but there is no such thing as a literary establishment. Even a cursory look at individual actors dedicated to literature will reveal that glory for sci-fi, fantasy, and graphic novels has already arrived. Turn of the century “best book” lists made ample room for J.R.R. Tolkien, Jules Verne, Arthur C. Clarke, Philip K. Dick, and others. Serious book critics fall all over themselves to praise the graphic novels of Allison Bechdel and Art Spiegelman. Respect in the world of contemporary fiction? Michael Chabon, Lev Grossman, and other “literary fantasists” have earned rapturous reviews from the stuffiest critics. Penetration into university culture and academic literary analysis? English departments are choked with classes on sci-fi and genre fiction, in an effort to attract students. Popular academic conferences are held not just on fantasy or graphic novels but specifically on Joss Whedon and Batman. Peer-reviewed journals host special issues on cyberpunk and video game theory.
To the geeks, I promise: I’m not insulting you. I’m conceding the point that you have worked for so long to prove. Victory is yours. It has already been accomplished. It’s time to enjoy it, a little; to turn the critical facility away from the outside world and towards political and artistic problems within the world of geek culture; and if possible, maybe to defend and protect those endangered elements of high culture. They could use the help. It’s time for solidarity.