I don’t have any advice [for younger writers]. You are asking me to live in an era other than the one that formed me. But I will tell you this: An editor in New York told me the other day that, even as the reading audience for serious prose has diminished, the unsolicited manuscripts she receives are better than ever. Even while I think we are leaving the splendid Victorian age of serious popular literature—novels and poetry—we may be entering the Elizabethan Age, when few in London read, but there was an intensity of thought and beauty to the prose, and the poetry, and, of course, the plays.
Religion still reveres the book—just visit a yeshiva if you want to see devotion to the weight of the holy word. But in our secular lives the digital revolution seems to have eroded the great age of the middle-class reader. And without readers what are we? Half-writers whose sentences are never completed by the stranger’s eyes.
I tell young writers not to give a single sentence away. Charge for every noun! Beyond the matter of strategy, the question really is whether our society needs complicated thought or expressions of beauty that reveal themselves only slowly and with difficulty. The question is whether a civilization can forget the pleasure of difficult, beautiful writing so thoroughly as to ignore its loss.