re-reading Trollope

I am re-reading the Palliser novels, for the first time in 20 years, which means I have largely forgotten what happens in them, and I am reminded that Trollope really is the most underrated novelist in the world. The casualness of his manner, and his intermittent insistence is that he is telling simple and insignificant stories, disguise from us just how penetrating his mind was, how clearly he sees the inmost workings of his characters’ lives, and how justly he deals out condemnation and mercy alike. I’m reading Can You Forgive Her? right now, and there is an extraordinary moment when George Vavasor has entered Parliament, having run a successful race thanks to the money he has extracted from his cousin Alice, whom he has manipulated into agreeing to marry him though he knows perfectly well that she does not love him. So when he comes to see her immediately after his election, he begins by thanking her for her financial contribution to his success – thanks which she does not want – but then strives to extract from her some expression of affection which she knows she does not feel. And Trollope pauses in the middle of George’s conversation with Alice and says, with brutal simplicity, “He should have been more of a rascal or less.” It’s one of the most devastating comments that any novelist has made about one of his characters.

George wants to be treated as an honorable man without being one. He wants Alice to give him credit for virtues and intentions which he has in a thousand ways made it clear that he does not possess. He insists upon being given credit for traits which as soon as he walks away from her he repudiates mockingly. He should have been more of a rascal or less. He should have frankly acknowledged the terms on which he and Alice have come to an agreement, or realized that he desperately needed to amend his life. But he does neither, and by doing neither makes himself and Alice equally miserable.

Can You Forgive Her? contains plenty of the broadish comedy that Trollope did so well – the protracted attempts of the farmer Mr Cheeseacre to woo the widow Greenow really are funny, even if there is more of it than one might think ideal – but the effect of these scenes is primarily to relieve the tension of what in other respects is a rather agonizing novel to read. Some may think “Ah, well, we know that everything will turn out all right in the end” – but we do not know that, not in a Trollope novel. Some of his most appealing and memorable characters (Lady Laura Kennedy, Lily Dale) do not receive the eucatastrophic resolution we would rightly expect from a lesser writer. If you know that, you know that you cannot simply expect a happy ending for his protagonists.

Which makes it all the more delightful when they get one.