Read good writing, and don’t live in the present. Live in the deep past, with the language of the Koran or the Mabinogion or Mother Goose or Dickens or Dickinson or Baldwin or whatever speaks to you deeply. Literature is not high school and it’s not actually necessary to know what everyone around you is wearing, in terms of style, and being influenced by people who are being published in this very moment is going to make you look just like them, which is probably not a good long-term goal for being yourself or making a meaningful contribution. At any point in history there is a great tide of writers of similar tone, they wash in, they wash out, the strange starfish stay behind, and the conches. Check out the bestseller list for April 1935 or August 1978 if you don’t believe me. Originality is partly a matter of having your own influences: read evolutionary biology textbooks or the Old Testament, find your metaphors where no one’s looking, don’t belong. Or belong to the other world that is not quite this one, the world from which you send back your messages. Imagine Herman Melville in workshop in 1849 being told by all his peers that he needed to cut all those informative digressions and really his big whale book was kind of dull and why did it take him so long to get to the point. And actually it was a quiet failure at the time. So was pretty much everything Thoreau published, and Emily Dickinson published only a handful of poems in her lifetime but wrote thousands.
How to Be a Writer: 10 Tips from Rebecca Solnit | Literary Hub. Unfashionable wisdom.