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Stagger onward rejoicing

Tag: Britain (page 1 of 1)

the dust that you are

After the coronation of Queen Elizabeth II in 1953, C. S. Lewis wrote to an American friend, 

You know, over here people did not get that fairy-tale feeling about the coronation. What impressed most who saw it was the fact that the Queen herself appeared to be quite overwhelmed by the sacramental side of it. Hence, in the spectators, a feeling of (one hardly knows how to describe it) – awe – pity – pathos – mystery. The pressing of that huge, heavy crown on that small, young head becomes a sort of symbol of the situation of humanity itself: humanity called by God to be His vice-regent and high priest on earth, yet feeling so inadequate. As if He said ‘In my inexorable love I shall lay upon the dust that you are glories and dangers and responsibilities beyond your understanding.’ Do you see what I mean? One has missed the whole point unless one feels that we have all been crowned and that coronation is somehow, if splendid, a tragic splendour. 

You either feel this kind of thing or you don’t. It makes sense that Lewis would feel it, not so much because he was British — as a native Irishman he had somewhat complicated feelings about that — but because he had been steeped all his life in stories, in histories true and feigned, about a monarchical world. He didn’t just know about the King’s Two Bodies, he felt that doctrine in his bones. Thus his overwhelming “awe – pity – pathos – mystery” at the doubleness of the moment: an ordinary young woman, wife and mother, bearing in her own body and on her own head the astonishing idea that we are all meant to be kings and queens, and to rule on behalf of the One True King. As the hymn says

Finish, then, thy new creation;
true and spotless let us be. 
Let us see thy great salvation 
perfectly restored in thee. 
Changed from glory into glory,
till in heav’n we take our place, 
till we cast our crowns before thee,
lost in wonder, love, and praise. 

That hymn is the secret text of Lewis’s most famous address, “The Weight of Glory,” which describes the burden we feel when we face this high calling: 

I read in a periodical the other day that the fundamental thing is how we think of God. By God Himself, it is not! How God thinks of us is not only more important, but infinitely more important. Indeed, how we think of Him is of no importance except insofar as it is related to how He thinks of us. It is written that we shall “stand before” Him, shall appear, shall be inspected. The promise of glory is the promise, almost incredible and only possible by the work of Christ, that some of us, that any of us who really chooses, shall actually survive that examination, shall find approval, shall please God. To please God … to be a real ingredient in the divine happiness … to be loved by God, not merely pitied, but delighted in as an artist delights in his work or a son — it seems impossible, a weight or burden of glory which our thoughts can hardly sustain. But so it is. 

The coronation of Elizabeth as Queen, seen in a certain way, the way Lewis saw it, is the coronation of one nation’s Queen but also a dramatic performing of this weight of glory — the glory and the weight in equal measure, poised in juxtaposition.  

One of the most-quoted sentences in the days since Elizabeth’s death has been the pledge she made on her twenty-first birthday in 1947: “I declare before you all that my whole life, whether it be long or short, shall be devoted to your service and the service of our great imperial family to which we all belong.” And I don’t think anyone — friend or enemy of the British Crown — doubts that she meant it when she said it and that she tried to live up to it for the rest of her very long life. And thus many, in these recent days, have felt a rather different “awe – pity – pathos – mystery” than Lewis felt at the coronation: in this case this peculiar complex of emotions arises from seeing one who has borne a burden, a weight, for a very long time finally laying that burden down. 

As I say, either you feel this way or you don’t. It’s perhaps a little harder for us Americans to feel it, because we are not accustomed to the idea that the head of state can be someone altogether different (and fulfilling an altogether different function) than the head of government. On rare occasions something can happen to awaken the impulse even in us. JFK’s assassination was that for many, and gave birth to a kind of cult of Lost Hope — the Camelot myth. Perhaps a better example was provided to me by my mother-in-law, who is a year older than Elizabeth and is still with us: She said that when FDR passed “it was like everyone’s father had died.” Likewise, many Christians, and not just Roman Catholics, felt that the stooped, frail figure of Pope John Paul II in his final years was an image of what we all might be someday — what we all are, in a way, at least sometimes. 

But whether you feel it or not, I will say: Just as the coronation of the Queen was an image of something meant for all of humanity, so too her funeral. She has borne the weight faithfully, and she has laid down her burden. Her obsequies then are not just about “the King’s two bodies” but about all of us. If we allow it, Elizabeth can be our representative: made up of “the dust that we are,” but also one who has born the weight of glory for a very long time, and now can rest; now can cast her crown before the King of Kings and Lord of Lords, and then forever be lost in wonder, love, and praise. 

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the King

Getty ElvisPresley

There’s a great moment in the Beatles’ Get Back documentary — the 9 January 1969 session — when Mal Evans points out that the previous day had been Elvis’s birthday. Paul puts on his best Elvis voice and sings “God save our gracious King” … funny and appropriate too. Here are some relevant numbers:  

  • Elvis had just turned 34 
  • Paul was 26  
  • Queen Elizabeth II had reigned for just short of 17 years 
  • Paul had been 9 when Elizabeth came to the throne 

So Paul probably remembered (and perhaps still remembers) singing “God Save the King.” What goes around comes around. 

My friend Tim Larsen with an interesting thought:

In all of human history Queen Elizabeth II is the single person who has been most prayed for. From her birth in 1926 she was included in a petition myriads of people prayed day after day: It called upon the Almighty to bless and preserve “all the Royal Family.” From her accession to the throne in 1952, millions began to pray for her daily by name: “That it might please thee to keep and strengthen … thy Servant Elizabeth, our most gracious Queen and Governor.” A modern form introduced during her reign that is often used today pleads, “Guard and strengthen your servant Elizabeth our Queen.”

Robert Hutton:

Had the Queen died earlier in the year, it’s not difficult to imagine Johnson harnessing the event to his great survival project. So we should be grateful she lived long enough to save us the prospect of Johnson in Westminster Abbey, mugging his way through Ecclesiastes and hinting that, in a way, she had been the Boris of people’s hearts. Think of it as her final service to the nation. 

This is a very good point. 

Maya Jasanoff’s idea that “The new king now has an opportunity to make a real historical impact by scaling back royal pomp and updating Britain’s monarchy to be more like those of Scandinavia” — because Colonialism! — is (a) the platonic ideal of an NYT opinion piece and (b) a perfect illustration of Clement Atlee’s comment that “the intelligentsia … can be trusted to take the wrong view on any subject.” The pomp of the British monarchy is the point; the ceremony is the substance — for good reasons and bad. When the ceremony is discarded the monarchy will be too. And rightly so. 

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God Save the Queen

It is a truth universally acknowledged that if we do not suffer from our ancestors’ sins, then we have no need of their virtues. This truth has about as much validity as the one I’m riffing on, but it is if anything more firmly believed. To our great loss.

The late Queen Elizabeth II played the hand she was dealt about as well as it could possibly have been played, and this required her to exercise virtues that few of our public figures today even know exist: dutifulness; reliability; silence; dignity; fidelity; devotion to God, family, and nation. We shall not look upon her like again; her death marks the end of a certain world. Its excellences, as well as its shortcomings, are worthy of our remembrance. 

This may perhaps be a good time to listen to the small but sumptuous motet that Ralph Vaughan Williams composed for the Queen’s coronation: 

 

Special Relationships

If I had another lifetime at my disposal, here’s a book I’d like to write.

Special Relationships: British Sages in America

A history of American infatuation with wise men from Great Britain, structured by changes in technology. In all cases the book trade is essential, but it forms alliances with other technologies: first the lecture tour, then (thanks especially to the Luce empire) the magazine, and finally television. It’s possible that radio would need a chapter, but at the moment my sense is that radio was always more important as a way for Brits to understand America, e.g. Alastair Cooke’s “Letter from America.”

General outline with key figures:

Part 1: The Age of the Lecture

  • Charles Dickens
  • Oscar Wilde
  • G. K. Chesterton

Part 2: The Age of the Magazine

  • C. S. Lewis
  • Arnold Toynbee

Part 3: The Age of Television

  • Kenneth Clark
  • J. Bronowski
  • James Burke

Afterword: The End of an Era

  • Christopher Hitchens

unknown unknowns

In the first printing of my biography of the Book of Common Prayer, I say that Thomas Cranmer was a Fellow of Jesus College, Oxford. This is incorrect. It was Jesus College, Cambridge

Now, I knew perfectly well that Cranmer was a Cambridge man. I just had a brain fart when I put him in Oxford. But the error has still nagged at me. I keep thinking: Would I have done that if I were English? That is, would the difference between Oxford and Cambridge be so vivid in an English person’s mind, especially an educated English person, that such a brain fart would be impossible? Or was it just a brain fart? Maybe in other circumstances I could with equal ease write that, say, Clarence Thomas’s J.D. is from Harvard or that FDR attended Yale.   

I can’t be sure. But the whole episode has made me more aware of all the things natives of a country know that foreigners, even affectionate and well-informed foreigners, have no clue about. My Cranmer error has had me musing about the fact that, while my academic speciality is 20th-century British literature, I may be completely, blissfully (or not so blissfully) ignorant about all sorts of matters concerning the world my writers grew up in that would be obvious to natives of their country.

Indeed I know I have such blanks in my knowledge. When I produced a critical edition of Auden’s long poem The Age of Anxiety, I annotated this passage: 

Listen courteously to us
Four reformers who have founded — why not? —
The Gung-Ho Group, the Ganymede Club
For homesick young angels, the Arctic League
Of Tropical Fish, the Tomboy Fund
For Blushing Brides and the Bide-a-wees
Of Sans-Souci, assembled again
For a Think-Fest … 

Here’s what I wrote: 

These titles are only partly explicable but are meant to suggest, ironically, that the four new acquaintances are the sort of people who would create social organizations devoted to good cheer and moral improvement. Ganymede was a beautiful young mortal who was abducted by Zeus to serve as the gods’ cupbearer; Auden may also have remembered the Junior Ganymede Club frequented by Jeeves and his fellow valets in the novels of P. G. Wodehouse. “Bide-a-wee” is a Scots phrase meaning “stay a while.” “Sans-souci” means “without care.” 

None of this is wrong … but: that excellent writer (and biographer of Auden) Richard Davenport-Hines wrote me to say that 

Sans Souci (in addition to being Frederick the Great’s summer palace at Potsdam) was together with Bide-a-Wee a common name, snobbishly mocked, given to cheap bungalows at down-market English seaside resorts to which lower-middle-class people might retire after a working life as a bank-teller, clerk in a town hall, supervisor in a small workshop, station-master on a small railroad, etc. This would be an immediate association to English readers of the 1940s, or to anyone of my generation. 

I wanted to smack myself for forgetting, or neglecting, Frederick’s summer palace, but that other stuff? I had no idea. And that is extremely distressing to me. 

Which leads me to my recently completed summer reading project: 

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Five thousand nine hundred and seventy-nine pages later, I know so much more than I did about the social history of postwar Britain: random people of brief notoriety, appliances, food products, radio and TV shows, catchphrases etc. etc. The dark question remaining, though, is: How much of it will I be able to remember?

Indeed: Will I even realize, when coming across an item unfamiliar to me, that I could look it up in these books? I am often haunted by a shrewd point C. S. Lewis makes in his Studies in Words: sometimes words change their meanings in ways that don’t call themselves to our attention. Using the current meanings of those words, we can make sense of old sentences — just not the sense that the authors intended, or that readers of their era would have readily identified. 

Still, I am making progress, and Sandbrook’s books, while perhaps less scholarly than Kynaston’s in some respects, are wonderfully well-written and perfectly paced. They were a joy to read. 

There’s one more problem, though. Sandbrook’s project is ongoing — he wants to keep drawing closer to the present day. But … 

  • The first book in the series appeared in 2005 and covers seven years in 892 pages; 
  • The second book in the series appeared in 2006 and covers six years in 954 pages;
  • The third book in the series appeared in 2010 and covers four years in 755 pages;
  • The fourth book in the series appeared in 2012 and covers five years in 970 pages;
  • The fifth book in the series appeared in 2019 and covers three years in 940 pages. 

At that rate of progression I will be long dead by the time Sandbrook gets to Tony Blair. 

British eco-fascism

The website for the 2017 documentary film Arcadia says that it’s “a sensory journey into the beauty and brutality, magic and madness of our changing relationship with land and each other. The film combines over 100 years of archive film with a grand, expressive new score by Adrian Utley of Portishead and Will Gregory of Goldfrapp.” It’s a kind of nonlinear survey of the various survivals of paganism — sometimes scary forms of paganism — in modern Britain.

Arcadia excited the writer Paul Kingsnorth (author of, among other things, Confessions of a Recovering Environmentalist) very much. In an essay written to accompany the film — an essay he later withdrew; more about that in a moment — he wrote,

The guardians of our civilisation tell us that attachment to place and tradition is reactionary, backward, dangerous. Like magic and mystery, attachment to land and history are things which belong to a dark and grim past, and should stay there. We are all progressives now. You are romanticising a past that never existed, they tell us. But it did exist, and not long ago. You can see it here, flickering in black and white. I defy any Briton to watch Arcadia and not feel a surge of patriotism; the real kind, the old kind. Not an attachment to monarchy or church, institution or government, idea or ideal, but the old pull of the land you walk on. The ground beneath your feet.

For Kingsnorth, the film Arcadia reminds us that the old “magic and mystery” of the land are not dead. The land still calls to its inhabitants, though faintly. Kingsnorth wants us to watch the film and have our attention to that call renewed.

What happened to our Arcadia? We stopped listening to it. We stopped dancing, we moved away, we started listening to the chant of the Machine instead. It is debt we chase now, not the moon. We are individuals, not parts in a wider whole. In a broken time, it is taboo to remember what was lost, and that fact alone makes Arcadia a revolutionary document. Look, it says. This is how it was. This is what was broken. At night, when you lie awake with your phone flashing under your pillow – do you miss it?

Thus Kingsnorth. Now, Warren Ellis, the great comics writer, in response:

That creepy Heideggerian dasein that fronts as meaning being-in-the-world but actually means being in a familiar landscape surrounded by lovely white people with no connection to the wider culture, preferring localism over multiculturalism and not being disturbed in your eternal idyll in the black forest (or on the dark mountain) by any of those nasty foreign types. This is where landscape writing sheds its leafy cloak and lets you glimpse its colder face – sounding like Steve Bannon, quoting Steve Bannon, black notebooks in hand, gazing from its bench at the little woodland of little England and trying to decide if “benevolent green nationalism” sounds too much like “… well, a nice kind of Hitler.”

We see you for what you are.

So: just as Heidegger wove together the experience of dwelling in his little hut in the Black Forest with his support for the Nazi regime, his black notebooks full of antisemitism, so too Kingsnorth with his racist Arcadia, his Brexit Arcadia, his doors-closed-to-colored-immigrants Arcadia?

This seems … a bit of a stretch to me. But Ellis is not the only one who reads Kingsnorth that way. Richard Smyth digs up nature writing’s fascist roots; “London Permaculture” teases out the fascist, racist snake lurking in the grass of England’s green and pleasant land. And this outcry led to Kingsnorth withdrawing his essay and then posting an explanation — which he also deleted.

I think what prompts these fierce denunciations is this: When we look back on the old ways of English culture — and this would apply to England’s Christian history almost as completely as its pagan one — we see white people, and only white people, enacting them. So how can those ways be praised without also praising exclusive whiteness?

Which raises for me another question: For these critics of Kingsnorth, is there any legitimate way to praise, and to seek to conserve, old rituals and practices? Can you love harvest festivals or Morris dancing or Druidic rites or for that matter Ember Days without being a racist, a fascist, a Nazi? Or is urban cosmopolitanism the only ethically acceptable ideal of human life?

And if you can love and practice those old ways without being a racist — How? What would distinguish morally legitimate attitudes from the ones that Kingsnorth is being pilloried for?

This inquiring mind would really like to know.

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