John Ruskin, Part of the Palazzo Priuli, Venice
Tag: drawing (page 2 of 2)
drawingarchitecture: Mariuo Ricci, Cattedrale Multiculturale, 2015.
drawingarchitecture: Charlie Hodgson, Untitled I (Tribalism, Brutalism & Defensive Architecture), 2015, Ink, Acrylic and Coloured Pencils on Panel.
drawingarchitecture: Nicole Marple, Capture to Catalog, Mixed Media 2014.
archimaps: Rendering of the Chrysler Building during construction, New York City
drawingarchitecture: Matthew Darmour-Paul, “De-Composite” 2014, Copic Markers on Tan Strathmore, 8.5” x 5.5”.
rindertjagersma: Onderwijsinge in de perspective const | Hondius. The Hague, 1622.
architectural-review: Ralf Alwani, Mitten Crab Fishery and Eel Aquaculture
thingsmagazine: Machine a Vapeur, Michel Clement, c 1857-1860
drawingarchitecture: Nicole Marple, 2014, Mixed Media.
rindertjagersma: Onderwijsinge in de perspective const | Hondius. The Hague, 1622.
Raphael, Head of a Young Apostle
Raphael, Head of a Muse
biblipeacay: Pablo Picasso etching for poetry book by Robert Desnos: ‘Contrée’, R. Godet, Paris, 1944 (B. 362; Ba. 689; C. books 39)the complete set of one etching, hors-texte, title, text in French, table of contents and justification, on Lafuma pur fil. [source]
Helena Bochořáková-Dittrichová. I read about this woman in Signals from Unknown: Czech Comics 1922-2012, Googled her, and found a HuffPo article had been posted 9 hours before my Googling. Good timing. It promotes the exhibit The First Woman Graphic Novelist: Helena Bochořáková-Dittrichová.
Medieval John Lennon
This familiar-looking face features in a Latin grammar book from the 15th century. The schoolbook includes entertaining scenes that encourage students in the challenging task of learning Latin. I like this image – and not just for its early depiction of a pair of glasses. It appeals to me because I imagine looking at a medieval portrait of John Lennon. It is not often that an image from a distant past connects so vividly to a modern – familiar – face. I wonder what the medieval student who used this book thought of this portrait. I fear that without the positive connection of Lennon this is merely a squinty-eyed, somewhat sour-looking person. Or worse: the student’s Latin teacher.
Pic: Uppsala, University Library, C 678. Image taken from this blog on the book, which provides additional images.
When he wasn’t making groundbreaking sculptures, Rodin was working out ideas on paper with some pretty remarkable drawings. With simple techniques and bold gestures he shows a tender moment between a mother and child:
“Maternity,” c. 1880, by Auguste Rodin
John Ruskin, The Casa d’Oro, Venice, 1845.
Pencil and watercolour with bodycolour, 33 x 47.6 cm
Source: Robert Hewison, Ruskin, Turner and the Pre-Raphaelites, 2000.