Connie went slowly home to Wragby. ‘Home!’…it was a warm word to use for that great, weary warren. But then it was a word that had had its day. It was somehow cancelled. All the great words, it seemed to Connie, were cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now, and dying from day to day. Home was a place you lived in, love was a thing you didn’t fool yourself about, joy was a word you applied to a good Charleston, happiness was a term of hypocrisy used to bluff other people, a father was an individual who enjoyed his own existence, a husband was a man you lived with and kept going in spirits. As for sex, the last of the great words, it was just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever. Frayed! It was as if the very material you were made of was cheap stuff, and was fraying out to nothing.
― D.H. Lawrence, Lady Chatterley’s Lover (1928)
Nobody wants any more poems on the grander themes for a few years, but at the same time nobody wants any more poems about philosophers or paintings or novelists or art galleries or mythology or foreign cities or other poems. At least I hope nobody wants them.
— Kinsgley Amis, introduction to Poets of the 1950s