In a new and extra-special edition of his newsletter, Robin Sloan writes about why he likes texts that have “a modular structure, an accelerated pace — a bit of TV’s DNA grafted into the capacious form of the book.” And he thinks about how this kind of writing, as exemplified by Georges Simenon’s brief, arrowing Maigret novels, court the world of pulp:

And while the utter disposability of a lot of pulp (culturally as well as physically) isn’t appealing, some of its other characteristics are VERY appealing. Speed! Unpretentiousness. Accessibility. And seriality, of course: the feeling of discovering the first installment in a series and, if you like it, zooming forward, absolutely devouring it, until you join the mass of readers who are caught up, waiting for the next release.

And then he says, “Okay, so, for many years, I’ve thought, wouldn’t it be wonderful to produce something with that shape? — an ongoing series of relatively small pieces published at a steady clip, gathered up later into something substantial.”

I find this thought both interesting and appealing, and I want to expand it. because Robin is also helping to write a video game, creating his own video game, sending little stories in the mail … and I wonder whether the idea of many “small pieces published at a steady clip, gathered up later into something substantial” might encompass not just pieces that are published in the familiar genres of fiction but might also extend to other genres and even other media altogether. You could end up with something like a multifaceted jewel, a body of work that has a kind of thematic integrity, but an integrity that might be discernible in full only by the person who made it.

But maybe to some considerable degree by the most sympathetic and attentive of readers/viewers/listeners/ players. Owen Barfield once wrote of his friend C. S. Lewis, “There was something in the whole quality and structure of his thinking, something for which the best label I can find is ‘presence of mind.’ If I were asked to expand on that, I could say only that somehow what he thought about everything was secretly present in what he thought about anything.”

A consummation devoutly to be wished, as I think about my own career anyway.

Bruce Sterling has just announced that he’s wrapping up his 17-year run on his blog. I’m going to quote at length:

I keep a lot of paper notebooks in my writerly practice. I’m not a diarist, but I’ve been known to write long screeds for an audience of one, meaning myself. That unpaid, unseen writing work has been some critically important writing for me — although I commonly destroy it. You don’t have creative power over words unless you can delete them.

It’s the writerly act of organizing and assembling inchoate thought that seems to helps me. That’s what I did with this blog; if I blogged something for “Beyond the Beyond,” then I had tightened it, I had brightened it. I had summarized it in some medium outside my own head. Posting on the blog was a form of psychic relief, a stream of consciousness that had moved from my eyes to my fingertips; by blogging, I removed things from the fog of vague interest and I oriented them toward possible creative use….

A blog evaporates through bit-rot. Yet even creative work which is abandoned and seen by no one is often useful exercise. One explores, one adventures by finding “new ground” that often just isn’t worth it; it’s arid and lunar ground, there’s nothing to farm, but unless you venture beyond and explore, you will never know that. Often, it’s the determined act of writing it down that allows one to realize the true sterility of a silly idea; that’s how the failure gets registered in memory; “oh yes, I tried that, there’s nothing there.”

Or: maybe there is nothing there yet. Or: it may be ‘nothing’ for me in particular, but great for you. “Nothing” comes in many different flavors.

What I find interesting is how Sterling thinks of the whole set of writing venues, from private notebook to blog to published fiction and nonfiction, as a single endeavor, each element of which is necessary but not in predictable ways. And what those elements are necessary to is the development of his own thinking.

I think what Robin Sloan and Bruce Sterling in their posts are pointing me towards, whether they mean to or not, is a different way of looking at these matters. Maybe the really important thing is not whether an idea gets published, or the genre or medium in which it makes its way into the world, but the integrity of my Gedankenwelt, my thoughtworld. A kind of Wittgensteinian reorientation in which publication may happen, but whether it does or not is effectively external to the real project.

I’d like to get to that posture of serenity and unconcern, but instead I spend a lot of time worrying over the relations among the various kinds of writing I do. And it occurs to me that the major impediment to my achieving what I have just decided to call Wittgenzen is the publishing industry.

Now, to be sure, and without any doubt, the publishing industry has been very good to me. I am enormously grateful to my agent and my editors for bringing my voice before the public. But one thing the publishing industry, for understandable reasons, doesn’t like is to pay for something that has been made public, even in part, somewhere else. The more I write about something on this blog, the lower the chance that I will be able to sell a more-fully-developed version of it to a publisher.

And yet blogging, for reasons Bruce Sterling has laid out, is good for thinking, for my thinking anyway. To borrow a metaphor from my friend Sara Hendren, who borrow it from engineering, blogging is a kind of sketch modeling: something more ordered and structured that notebook jottings, and less fixed and complete than a published book. Moreover, blogging is formally networked in ways that neither notebooks or books are: each post is linked not only to the online writings, or images, or films that it interacts with, but also via tags to other similar posts. Properly executed, a blog can approximate Walter Benjamin’s Arcades project, for reasons suggested by Eli Friedlander in this essay on Benjamin. Or, to put it another way, a blog is a Wittgenzen garden.

So here’s my situation: the more I write at this blog, the less opportunity I will have to publish my work in book form; but also, the more I write on this blog, the better I will think. I still believe in lateral thinking with seasoned technology; I am still trying to put myself in a position where I don’t know where I’m going. But it’s not only easier, it somehow feels more responsible to take advantage of my publishing opportunities, which so many people would love to have. (Also: cash money.)

As those posts I just linked to will show, I’ve been going around in this circle for years now. But one of these days I’m gonna figure it out. One of these days I’m gonna take the plunge into the who-knows-what of Wittgenzen. These posts are here to give me courage and wisdom for that day.